Categories
Music

Clint Bierman & The Necessary Means

Clint Bierman put together a team of all-stars in The Necessary Means. Last night, they lit up Nectar’s celebrating their the release of their first CD together, “Click.” The Necessary Means is an 8 piece funk/groove project featuring:

Clint Bierman – guitar
Peter Day – bass/trumpet
Sean Preece – drums
Leon Campos – keys
Brian McCarthy – bari and tenor sax
Dave Grippo – alto sax
Daiki Hirano – percussion
Jeff Vallone – DJ/bass

The show was an electrifying collection of tracks from the album and newer pieces that got the crowd moving from the first note. The energy built with each song and Nectar’s was hopping all night long.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

What’s that, you want even more photos? OK – check out the full gallery.

If you missed the show, you owe it to yourself to pick up the album. Want a sample? Check out this video that Matt Kiedaisch put together for the track “Scratchzilla.”

 

Scratchzilla from Matt Kiedaisch on Vimeo.

Categories
Music Photograph

Andrew Parker-Renga live at Nectar’s!

Last week, Andrew Parker-Renga put out the call on Facebook that he would be back in Burlington, Vermont recording a live album at Nectar’s. I was first introduced to his music through my friends in The Grift and now that I live in the neighborhood, what could I do but join him?

Andrew Parker-Renga: Live Music at Nectar's in Burlington, Vermont (1)

Andrew played two sets of music starting off with a more standard singer/songwriter set and finishing by adding some looping and beatboxing. APR’s lyrics and melodies are catchy, but his use of technology really amplifies a one man show into something much larger.

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The lights in Nectar’s can range between awesome and miserable from a photographic perspective.  On this particular evening, they (Sergey?) had the lights on a nice rotating pattern that kept things fresh and provided some texture. I did, however, spice it up with a little Strobist action on some of the shots. The only problem I continually run into is the fact that the front lights are gelled so red that skin tones are next to impossible to achieve.

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I’ll let you in on a little secret — if you see me shooting black & white at a show it’s generally because the lighting was incredibly red and monochromatic.

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(A side note, I love that even through the numerous renovations at Nectar’s, this light has remained a fixture. I’ve heard that the revolving sign outside is in need of some repair — I hope it hangs around for a while, too. )

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Great to hear you play again, Andrew! I’m looking forward to hearing the new album.